9 comments

1. Type: Person, Gender: Male, Area: Brooklyn. Kenneth Kirschner ~ Person Overview; Releases; Recordings; Works; Events; Relationships.

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2. Zimoun (born ) is a Swiss artist who lives and works in Bern, condigovlutocecomdahlconsfreezelhur.infoinfo self-taught artist, he is most known for his sound sculptures, sound architectures and installation art that combine raw, industrial materials such as cardboard boxes, plastic bags, or old furniture, with mechanical elements such as dc-motors, wires, microphones, speakers and ventilators.

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3. A recent release further intensified the need for clarification: Kirschner's "May 3, " (one of "Three Compositions" on Sirr ecords) is built around the awe-inspiring title track, a thirty-minute long tour de force of piano-clusters, -chords, congruencies and -contortions and an .

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4. Beat Magazine #52 contains the "Beat EP" selected by Kenneth Kirschner. It can be ordered here. Discography: October 22, term) 6 Track EP (TIBProd) Post_Piano (12k) September 19, Et Al. (12k) January 2, Et Al. CONV) June 18, Et Al. (Test Tube) May 3, (Autoplate) Post_Piano 2 (12k)

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5. The way Kenneth Kirschner plays his music seems like this tension, after reaching it's limit, has finally broken into sound. One could hear beings from the border of silence and music. And so these are compositions about beings and tensions.

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6. kenneth kirschner's compositions use the aleatory, open patterns often associated with a john cage or a morton feldman. normally, i consider these among the best sources one could hope to draw upon. after all, one wants to study at the feet of the masters, and this is .

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7. Kenneth Kirschner first composed a series of spare, improvised piano sketches which were then passed on to Taylor Deupree who used them as raw material for digital manipulation and as building blocks for the construction of new, collaborative compositions. Like Morton Feldman would sound if he was alive now and embracing digital technology.

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8. It’s the first day of Lent, and also therefore the start of this year’s Lent Series. Three years ago my focus was on miniature works, and for i’m going in the opposite direction, exploring compositions that occupy larger-scale durations. However, this is not simply about pieces that are ‘epic’ (something i’ve examined before) but more about the way time is used (by the.

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9. Music by Kenneth Kirschner. SEPTEMBER 24, (). MP3 | FLAC. i.-vii. i. () | ii. () | iii. () | iv. () | v. () vi. () | vii. ().

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